Film Studies
Course Description:
This semester-long course will explore the fundamental elements of formal film analysis in terms of mise-en-scène, cinematography, sound, and editing. Lessons on image, camera movement, lighting, editing, sound, performance, and spectacle will be supported with the use of feature-length narrative films. Students will demonstrate proficiency through a series of group discussions, research projects, and analytical writing assignments. Additional focus will be placed on the technologies employed throughout the history of cinema as well as on the social impact these narratives have had on society.
Topics (Evolving):
Mise-En-Scene: Within the Image, camera Movement, Cinematography
Editing
Sound
Narrative
From Screenplay to Film
Assignments:
Each chapter in Sikov's text is tied to a film. There will be reading guides for both textbook and movie. We will also write two short papers this semester.
Class participation will include discussion and group work targeting experiential learning about topics in filmmaking, i.e. shot development, movement, etc.
Links
Movies ('25/'26)
Haphazard 无为 and 朴
Chaotic action (through non-action) and the unlimited potential of the uncarved block. Who knows? Click. :)
About Brother Pete
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